Inspired by light, passion and mystery. All images are copy-writed to myself, unless stated otherwise. No images may be used without consent.

Posts tagged ‘Lego’

Lego Advert I found

My final project was inspired by Lego, and how it can capture the imagination of a child. How they can construct and create new things with it. My idea started with this photograph that I took in February 2012, I was trying to re-create a film scene from Harry Potter and the Chamber of Secrets, this was to show the skill that goes into creating and constructing the sets for films and it was also something I was interested in.

”Lego Harry Potter’

My project has moved on from that photograph as you can see in the many other posts about it on my blog. See here and here. But I am still fascinated by the imagination of children, keeping that in my final project, how we carry it with us as adults even if we try to hide it.

I found these adverts created by the Lego company and felt that they are saying the same thing I am, that Lego is a tool for people to use to inspire them and bring out their imagination.

Lego Brick Advertisements

The ads appeared on four consecutive pages. LEGO is a company that has fostered imagination, invention and creativity for over 60 years. So it is unusual for these ads to feature only long copy with minimal imagery. However, upon reading each of these scenarios the ad comes to life in a way that is unique only to the reader and how they see these playtime scenarios in their mind’s eye. Typographic elements of kerning contrasted with tracking allow the reader to almost get lost in the copy selecting keywords for their imagination. The fourth ad in the series, “Yellow Brick” features a notepad with the tagline “Every LEGO brick tells a story. Build yours.”

Advertising Agency: Pereira & O’Dell, Brazil
Chief Creative Officer: PJ Pereira
Creative Director / Copywriter: Aricio Fortes
Creative Director / Art Director: Paulo Coelho
Account Executive: Lo Braz
Illustrator: Eduardo Gomes

Description of the adverts from the website.


Asimov’s Three Laws of Robotics

My boyfriend found this image for me on Flickr by Si-Moc and it really got me thinking how adults still like to use toys, especially Lego to create new messages and ideas. I like to use Lego to create new scenes and photos, some people think there is a sinister meaning behind using toys in photos as an adult, but to me it is just that toys can be easily manipulated and moved to create anything we want. I know Lego is fixed shapes but with enough imagination people can get around that and create amazing scenes. Si-Moc not only made the Three Laws of Robotics image, he also created a working Automatic Automaton Machine which can be seen here. These two images help to show that Lego can be used to create loads of different things, it isn’t just the fixed angular shape we see when its in the box.

Updated Project Proposal



Chloe Short


Description of the subject to be Investigated

I am interested in how and why as adults, many people choose to oppress their inner child; they seem to forget what it was like to have the imagination to create whole new worlds in their head. I want to explore if photographic images can re-ignite that imagination and child-like innocence in the people who look at them. I will also be creating photographs that show things I wish that I could have been there to take and things I wish I could have seen. These will be created using toys and Lego to fit within the aesthetic of my piece, using imagination and the Lego will bring an image of a child into the viewers mind.

This project will be a personal journey shown with photographs, how I have moved away from my original home, how I don’t visit there often, I’m just a ghost who passes through. I will be trying to show how I feel about having to grow up and mature in the adult world of university, but also how I kept my inner child with my imagination and story telling. All the images will fit within my project, and be spilling out of a suitcase, symbolizing the suitcase that I had to cram my life into when I moved to University. This project will be the end of my journey.


“Over at our place, we’re sure of just one thing: everybody in the world was once a child. So in planning a new picture, we don’t think of grown-ups, and we don’t think of children, but just of that fine, clean, unspoiled spot down deep in every one of us that maybe the world has made us forget and that maybe our pictures can help recall.” Walt Disney

I started my research into how and why people chose to use toys as a medium in art for my symposium presentation. This got me interested in exploring how a photograph can be used to tell a story, re-ignite memories in people and spark their imagination. I want to see if I can use my photography to show people that we don’t really have to grow up as adults, we can still have and use our imagination to escape the real world into worlds of our own.

I am greatly inspired by the works of photographers who use toys in their images such as David Levinthal, whose images created with a shallow depth of field sometimes don’t look like toys at all, they have a sense of movement that tricks our mind into believing they are real, making us look twice.


David Levinthal Wild West Series #19

I am also inspired by photographers that use/used the old processes; there was an aesthetic to their images that I would like to recreate for my series of prints. Eugene Atget is one of my main sources of inspiration his photographs look old and vintage, but still contain the same mystery they had when he first developed them, they cause me to wonder about the scene he photographed and I start to create narratives around the scene in my head.

Eugene Atget Fete du Trone

 Robert Doisneau has also deeply influenced my ideas, I like the vintage aesthetic of his photographs, true this is because they are old, but looking at them I admire them as an artifact something original. He captured the surreal in everyday life, the playfulness of it; this is something I am hoping to achieve with my images. I had never seen his images before I researched them for this project, and now I wonder how I could have missed them, they are truly showing that everyone can still have the imagination and playfulness of a child, even if they have grown up.

Robert Doisneau

 Francesca woodman’s deeply haunting photographs will inspire my darkroom or digital work; her images really cause you to stop and look twice to try to understand what you are seeing. I will try to re-create her aesthetic of movement within the frame, using movement and sandwiched negative techniques in the darkroom.

Francesca Woodman

Plan/Schedule of work

  1. Digital images of film scenes created from toys/Lego that I wish I could have worked on. Using iconic film scenes, such as scenes from Harry Potter and Star Wars. They will be close-up images, so you can really see the detail in them. I will be creating new images inspired by the films and my imagination, hoping they will inspire people to do the same. They will be iconic film scenes to many people but to the ones who don’t know the scenes, they will be nostalgic toys that cause them to reminisce about their own imagined stories. Lego is something I always remember from my childhood, I brought a Lego mini figure from the Harry Potter Lego series with me to university to remind me of that, and remind me of home. These images will be my way of remembering my home and family. These are already in production, they need to be completed by the end of March, I will create 5 detailed images.

RON: Harry! Hold on! Take my hand! Hold on!
HARRY: I’m trying. Your hand’s all sweaty.

  1. Dark room/Digital images of scenes where you need to use your imagination to see what is going on in them. You will have to look deep into the photographs to really see the narratives in them. Using sandwiched negatives to create ghostly looking scenes. To show how I am disconnected from those places now, they used to be so important to me, but now I don’t visit them as much. Inspired by Francesca Woodman’s work. I am going home on the weekend of March 17-19th to start production of these images. I will create 5 detailed darkroom or digital prints of these photographs.

Practising creating the ghostly scenes

  1. Digital images of scenes that contain mystery and narrative. Like images of the sky, but your mind will start to see shapes in the clouds, creating a new photograph. I find some people can see patterns and shapes in the clouds more than others, it is something you can do wherever you are, I can look up at the sky and I am looking up at the same sky as my parents can see back home, it is a way of connecting myself with them. These are already in production; I need to have them finished by the end of March. I will print 5 of these detailed digital images, on matt paper, to go with my project, spilling out of the suitcase.


Tall Ship

  1. Scanned and re-photographed images of me as a child playing with toys, showing that everyone was a child once. That child should still be somewhere in us, with the same imagination and ability to create new stories from nothing. These images will be collected when I go home in a week’s time, I will then choose ones that go with my project and either re-photograph them or scan them depending on quality. The places will be memories and relate to the images taken in part 2.


One of my mum’s childhood photographs, it has the same aesthetics as the ones I will be using of me.

 This might look like four disconnected ideas for photographs, but they all contain the imagination and narrative that is the aesthetic of my piece. The project is a personal journey for me, showing how I feel about moving away from home to a new place for university, I now feel disconnected from my original home and hope to photograph my feelings for this project, and joined with the other images show how I feel about growing up, but never really leaving my childhood behind me.


To be exhibited in the Frameless Gallery in London, the same time as the photography week of the Free range exhibition is on, this is so hopefully we can gain some footfall from Free range as well as passersby and people we have told about.

Will also be exhibited in Coventry University for my degree show, I am hoping to gain footfall from being in the Graham Sutherland building, (the art building) or the new Lancaster Gallery in the hub. I will be exhibiting my work with all my classmates, and the massive range of work there will surely bring people to see the exhibition.

My work will be made for everyone, because I believe everyone has an inner child, even the most mature adults. Everyone can imagine new stories and lose themselves in their imagination. I want my images to help people remember what it was like being a child, being worry free and being able to play out any story they wanted. My work will especially resonate with university students who can remember what it was like to move away from home all the emotions and hard work they faced.

Anticipated method of presentation

My work will be spilling out of a vintage suitcase onto the walls of the exhibition space. Each image will be pinned onto the walls to look like they are floating around the room.

I will sew vintage material onto my printed images, creating handmade one of a kind artifacts. Some will have gold/bronze frames, others will have material frames, painted on and sewn onto the images. The suitcase is showing how I picked up my life and moved to a different place, I moved away to university. I will be printing 20 6×4 digital matt prints and hopefully 5 larger darkroom prints, if for some reason I can’t source darkroom paper, I will print larger digital prints.

Budget/Resources required.

Vintage Suitcase-£30 to £50 online

Material- Etsy Prices Vary

Sewing equipment-Already owned

Small Frames- Charity shops or Wilkinson’s then painted on so they are unique

Printing- £100

Darkroom paper-Ebay Prices vary


David Levinthal Wild West Series Number 19 from here.

Eugene Atget Fete du Trone from here.

Robert Doisneau image from here.

Francesca Woodman image from here.

Walt Disney Quote from here.

First Image for Final Project

My idea for my final project is to recreate famous or iconic film scenes out of Lego. I like to be able to manipulate the scenes to tell a story. My first image is from Harry Potter and the Chamber of Secrets, the car scene where Harry and Ron take Ron’s dad’s flying car because they couldn’t get through the barrier to get the train. Harry at one point falls out of the car and Ron has to drag him back in, while keeping the car above the Hogwarts express. I hope my image captures the danger of the scene. I have left thge blutack that is holding the Lego mini-figure of Harry to Ron, to show that it is a constructed scene and I like how it shows how I achieved the image.

Artists Statement

Ever look at something and have to look at it twice, because your eyes had been tricked into seeing something that wasn’t there? This is what I work towards with my photography, manipulating everything in the photograph so it tricks your eyes into believing what you are seeing is real, even if it’s just for a second. I work with light, changing the atmosphere in my photographs, so each image portrays a narrative. I want to grab your imagination with my photographs, and let it go wild creating new images in your head.

I could not find an exact screen shot of the scene I was trying to re-create, but once I grab my copy of the film from home I will screen shot the scene. I am thinking if I were to do this image again, to improve it I would figure out a way to get smoke blowing across from the train like in the movie. I really like the final image, and enjoyed creating it I am already thinking of new movies to try to re-create, such as Star Wars, Lord of the Rings, Pirates of the Caribbean and Jurassic Park.

Script for the scene in the film

HARRY: Maybe we should just go and wait by the car.
RON: The car…
LOCATION: King’s Cross Station – exterior – daytime
LOCATION: Flying Car – over London – daytime
HARRY: Ron, I should tell you, most Muggles aren’t accustomed to seeing a flying car.
RON: Uh, right. Okay.
LOCATION: Flying Car – over countryside – daytime
RON: Oh no! The Invisibility Booster must be faulty!
HARRY: Well come on, then. Let’s go lower. We need to find the train.
RON: Okay.
LOCATION: Flying Car – over train tracks – daytime
HARRY: Now all we need to do is catch up with the train.
RON: We can’t be far behind.
HARRY: Do you hear that?
RON: We must be gettin’ close.
HARRY: Hold on…
HARRY, RON: Aaahhh! Aaahhhh! Aaahhh!
HARRY: Wha-aahhh!
RON: Harry! Hold on! Take my hand! Hold on!
HARRY: I’m trying. Your hand’s all sweaty.
HARRY: I think we found the train.
RON: Yeah.

David Levinthal’s Most Recent Photography Series ‘Attack of the Bricks, Star Wars Series’

These are some of David Levinthal’s most recent photographs from his Star Wars Series Attack of the Bricks. I had never seen this work before so when I came across it I was quite shocked and interested to see that he had moved from photographing railway model figures to Lego. But then I realised that he photographed Barbie’s which were very popular at the time, and Lego is very popular at the moment. I really enjoy Levinthal’s photographs of models, I can see one and instantly know it is one of his photographs. So many people are doing Lego photographs at the moment, me included, that there is a risk for images to be lost in everything, but to me David’s still leap out as being works by David Levinthal. It is the backgrounds in most of his images, the short depth of field reduces them to blurs of colour, just like in these photographs. Thats how I know they are Levinthal’s work.

Testing Macro Lego photography

I borrowed one of Pete’s lenses that would fit onto my Lumix camera, he said it was a macro lens. I really liked using it, it was hard to focus at first but I got used to it after a while. I only took a few photographs to try out the lens, I really like the results and I will peruse more macro photography for my project.

Lego 365 – A Lego a Day

On this blog Dan took a photograph of a Lego mini figure each day of the year, mixing his love of Lego together with his love of photography.

Looking through the images, I am amazed how he managed to find the time to photograph one set up a day. As Lego is hard to set up, and to get it right for a photograph. Most are simple set ups, but he would still need an idea, the right figures and objects and a title/caption for the image.

You know that dream when you’re someplace important and you realize you’re in your underwear?

Stanley thought he was having that dream.

He wasn’t.

“Now here, students, we see the area of this table is 36 square feet.”

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